"I was interested in the impositions we accept as ordinary, and what might happen if we took them seriously, as though they took up as much time in our lives as our grand dreams."
“To consider that the myriad of voices, characters, aesthetics, and so on, rather than singular, is not experimental—it is the norm in many parts of the world.”
“We can be moved by music in a way that we cannot verbally express or capture; similarly, a poem can resonate from what is not said."
"I like to see the words as objects separate from their meaning, sitting up out of the sentence, and so I try to manipulate this in the swift action of writing.”
"So much of storytelling is about lowering a bucket into some deep, dark well inside yourself and sorting through what comes up."
"As a teacher, I see every day the struggles that teenagers face and what they have to deal with before they even get into the classroom."
“I never stop thinking about what it means to be human; and I try to celebrate the joys and sorrow of living, and the ways in which we all are dying, and eventually arrive at death.”
"I’m also fascinated by perception. Someone is convinced they have seen a ghost—science says there must be an explanation, but even if there is, the emotional imprint, the response, of the individual can’t be dismissed."
“I believe there are fundamental questions that consume so many children of survivors... 'If the Holocaust had never happened and, consequently, my parents had never met, does that mean I owe my life to this catastrophe?’”
“We know the parts of each other that we choose to share, and the versions that we present. There’s a great power in choosing to whom, and to what extent, we share ourselves.”
© 2021 Centre for Stories / Site by Super Minimal